Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Barber | Girl | Priest | The Mary Princess | Unknown man |
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Vasily Perov
Russian historical, genre, and portrait Painter , 1834-1882 was a Russian painter and one of the founding members of Peredvizhniki, a group of Russian realist painters. Vasily Perov was born January 2, 1834 (December 21 1833 Old Style) in Tobolsk. After completing a course at Arzamas uezd school, he was transferred to the Alexander Stupin art school also located in Arzamas. In 1853 he was admitted to the Moscow School of Painting, Sculpture and Architecture, where he learned from several renowned artists. In 1856 he was awarded with a minor silver medal for his sketch of a boy's head, presented to the Imperial Academy of Arts. Later the Academy awarded him many other awards: in 1857 a major silver medal for Commissary of Rural Police Investigating, a minor golden medal for the Scene on a Grave and the Son of a dyak promoted to first rank, in 1861 a major golden medal for Sermon in a Village. After receiving the right to a state-paid trip abroad together with a golden medal, in 1862 Perov went to Western Europe, visiting several German cities, and then Paris. During this time he created paintings depicting scenes from European street life such as the Vendor of statuettes, the Savoyard, the Organ-Grinder in Paris, the Musicians and the Bystanders, the Paris Ragpickers. Returning to Moscow early, from 1865 to 1871 Perov created his masterpieces The Queue at The Fountain, A Meal in the Monastery, Last Journey, Troika, the Lent Monday, Arrival of a New Governess in a Merchant House, the Drawing Teacher, A Scene at the Railroad, the Last Tavern at Town Gate, the Birdcatcher, the Fisherman, the Hunters at Rest. In 1866 he received the title of an academician, and in 1871 the position of a Professor at Moscow School of Arts, Sculpture and Architecture.
Jean-Achille Benouville
(15 July 1815, Paris - 8 February 1891, Paris) was a French landscape painter of the academic painting school, known for his Italian landscapes. François-Leon Benouville was his younger brother.
Penleigh boyd
Australia artist 1890-1923 was an Australian artist. Penleigh Boyd was a member of the Boyd artistic dynasty: his parents Arthur Merric Boyd (1862-1940) and Emma Minnie Boyd (n??e ?? Beckett) were well-known artists of the day, and his brothers included Merric Boyd the ceramacist (1888-1959) and the novelist Martin Boyd (1893-1972). His son Robin Boyd (1919-1971) was a noted writer and architectural critic, and his nephews Arthur Boyd and David Boyd became prominent artists. Born in England at Penleigh House, Westbury, Wiltshire, Boyd received his artistic training from his parents and at the National Gallery Art School. He had his first exhibition at the Victorian Artists' Society at 18, and exhibited at the Royal Academy in London at 21. He won second prize in the Australian Federal Government's competition for a painting of the site of the new national capital, Canberra. He won the Wynne Prize in 1914 with Landscape. He served in the AIF (Australian Infantry Forces) in France in World War I, and was invalided out after being badly gassed at the battle of Ypres in 1917. His career was cut short when he was killed in a car accident near Warragul, Victoria in 1923. Penleigh Boyd is best known as a landscapist with an accomplished handling of evanescent effects of light. A notable influence was artist E. Phillips Fox, who introduced him to plein air techniques when they were neighbours in Paris in 1912-1913.